Michael Baker is joking when he calls himself "the last of the dinosaurs," but Whitney Houston's longtime drummer is definitely attuned to the traditions of an earlier time.
Baker says his real education started after he graduated from the North Texas State University jazz program, when he took a gig with jazz trumpet titan Clark Terry. "It was like being in the jazz army," recalls Michael. "Clark made me look at the real basics, like keeping time, corralling the beat, and pulling a big band together." Baker went on to drum with such jazz legends as Jimmy Smith, Freddie Hubbard, Wayne Shorter, Kenny Burrell and Joe Zawinul before turning to pop work.
Baker absorbed additional old-school influences as the drummer for the song-and-dance revue "Sophisticated Ladies." A former ballet dancer himself, Baker learned volumes from accompanying such African-American dance legends as Gregory Hines and Harold Nicholas. "They executed everything a little ahead of the beat," notes Michael. "That way, by the time the audience perceived the motion, the beat had arrived. Nothing was right on the beat, but it felt like it was right in time from the audience's perspective."
"Such flexibility of placement is the defining trait of a great studio drummer," insists Baker: "You have to be able to play each drum like a separate instrument. Maybe the bass drum will feel ahead of the beat, the snare drum will lay way back and the hi-hat will be right in the middle. People like Jim Keltner and Steve Gadd are masters in that ability to make each drum sound like a different voice."