Edward Choi

Edward Choi

South Korea

Edward Choi joined the Seoul Philharmonic Orchestra in 2004 and became Principal Percussionist in 2007.

Mr. Choi has performed with the Philadelphia Orchestra, the Philharmonia Orchestra of London, Toronto Symphony, Sydney Symphony, Orchestre Philharmonique de Radio France, Hong Kong Philharmonic, Malaysian Philharmonic, Singapore Symphony, and the Asia Philharmonic Orchestra.

As a chamber musician, he was a founding member of the Exit 9 Percussion Group, winners of the Chesapeake Chamber Music Competition.

He is originally from Canada and studied music at the University of Toronto, Northwestern University, and Rutgers University. Mr. Choi holds a Doctorate in Musical Arts as well as a degree in English Literature. He studied percussion with Alan Abel, She-e Wu, James Ross, Michael Burritt, John Rudolph and Russell Hartenberger.

As an educator, he has held teaching positions at Sookmyung Women's University, Kyunghee University, Hanyang University and Seoul National University in Korea. Mr. Choi has taught clinics and masterclasses in Canada, the United States, Australia, Japan, and China. He has also served on the Symphonic Committee of the International Percussive Arts Society and has presented an orchestral clinic at the PAS International Convention in 2014.

Edward Choi is a proud endorser of Malletech and Zildjian cymbals.

Edward Choi'S SETUP:

1.14" HiHats - K Constantinople (top), K Custom Session (bottom) *
2.Stack - 9" FX Oriental Trash Splash (bottom), 6" Splash (top) *
3.19" K Dark Thin Crashes
4.22" K Custom High Definition Ride
5.10" FX China Trash

6.15" FX Azuka Latin Multi-Crash *
7.16" K Dark Thin Crashes

* May be prototype

Edward
Choi's
IN 3

Edward Choi's
IN 3

  • WHAT INSPIRES YOU?

    It's a marathon, not a sprint. Having the mindset of being a perennial student keeps me inspired. I went to music school later in life and didn't pursue the orchestral career until I was 35. It's never too late!

  • WORDS OF WISDOM FOR THE NEXT GENERATION OF DRUMMERS

    I love the sound of the classic old vintage K's in the orchestra. Lately I've been interested in the Special Dry Trash crashes and want to explore their applications in the symphonic literature.

  • FAVORITE ZILDJIAN CYMBAL/COMBO

    I love the dark warmth they can offer and think they can really add to the symphonic realm.

BEHIND THE KIT

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