Peter Gall

Peter Gall

Independent / Peter Gall Quintet / Web Web / Subtone

Peter Gall is a drummer and composer, living in Berlin. He was born 1983 in Bad Aibling (south of Germany). Peter studied drums with John Riley, John Hollenbeck and composition with Phil Markowitz, Dave Liebman, Jim McNeely and holds a diploma from the University of the Arts / Jazz Institute Berlin He lived in New York for 2 years based on a DAAD-Scholarship and graduated with a Master of Music from Manhattan School of Music. Peter Gall performed on stage with Kurt Rosenwinkel Trio, NDR Big Band, The New York Voices, Roberto DiGioias Web Web, Thomas Quasthoff Quartett, Nils Landgren, Max Herre, Joy Denalane, Afrob, Tony Lakatos, Dieter Ilg Trio, Blume, Chris Gall, Johannes Enders, Jasmin Tabatabai, Gabriel Rios, Enik, Kim Sanders, Ben Street, Peter Fessler, Peter Herbolzheimer, BuJazzO, Torsten Goods, Henning Sieverts, MSM Jazz Orchestra, Lutz Krajenski Big Band, Jeff Taylor, Majid Bekkas, Glenn Miller Orchestra, Berliner Konzerthausorchester, Sunday Night Orchestra and many more He appears on various recordings on labels like ACT, Fresh Sound, Enja, Skip, Traumton, Compost Records, Agogo Records, GLM, WhyPlayJazz, ¦. and toured in Austria, Bulgaria, Canada, Czech Republic, Colombia, Ecuador, Estonia, Ehtiopia, Finland, France, Georgia, Italy, Luxembourg, Madagascar, Mosambique, Netherlands, Poland, Russia, Serbia, Simbabwe, Slowenia, Switzerland, Turkey, Ukraine, United Kingdom, USA.

Peter Gall'S SETUP:

  1. 14" or 15" Avedis Hihat (60ies)
  2. 20" Renaissance Ride
  3. 22" Prototype Zildjian
  4. 19" K Dark Thin Crash Ride

* May be prototype

Peter
Gall's
IN 3

Peter Gall's
IN 3

  • WHAT INSPIRES YOU?

    GOOD MUSIC!!!

  • WORDS OF WISDOM FOR THE NEXT GENERATION OF DRUMMERS

    GROOVE, FEELING, TOUCH, SOUND !!!!!!!

  • FAVORITE ZILDJIAN CYMBAL/COMBO

    I am in love with a 22 Zildjian Prototype (maybe a mix between a Renaissance and a Bounce Ride). It sounds incredible. Very versatile, so many sound layers in one cymbal. Great for playing all the dynamics, very soft or even loud in a big band. I use it on almost every recording or gig since 2011.

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